Ulrike Müller’s work complicates conventional expectations. Her paintings and works on paper destabilize highly prized concepts such as originality, autonomy, and authorship. Müller shifts her formal vocabulary between material and affective states and makes use of a variety of materials and techniques. Alongside small-scale paintings in baked enamel, she also produces expansive wall paintings, publications, prints, and textiles.

Ulrike Müller was a co-editor of the queer feminist journal LTTR (2005-2008) and organized Herstory Inventory. 100 Feminist Drawings by 100 Artists (2009-2012). Recent solo exhibitions include Mumok (Vienna, 2015) and Kunstverein für die Rheinlande und Westfahlen (Düsseldorf, 2018). At Mumok, Müller, with Manuela Ammer, also co-curated the collection exhibition Always, Always, Others. Non-Classical Forays into Modernism (2015). Her work was included in the 2017 Whitney Biennial, in the 57th Carnegie International (2018), and in the 58th international art exhibition of the Biennale di Venezia (2019).



Rochelle Feinstein is a painter working across varied media, while fundamentally drawing upon the attitudes, attributes and conventions embedded in painting practices.

Her recent retrospectives unfolded, respectively, from 2016 through 2019, at the Centre d'Art Contemporain, Geneva, Lenbachhaus Stadtische, Munich, Kestner Gesellschaft, Hannover and at The Bronx Museum of the Arts, NYC. Recent solo exhibitions took place at Kunsthaus Baselland, Basel (2018), Campoli Presti Gallery, London (2018), On Stellar Rays, NY (2017), Galerie Francesca Pia, Zurich (2016). Her works have been featured in numerous publications including Artforum, Texte zur Kunst, Art in America, The Paris Review, The New York Times, and The New Yorker Magazine. Feinstein’s eponymously named monograph, Rochelle Feinstein (Walther Konig), was published in 2016. Additional recent publications include I’m With Her (Black Dog Press), in 2016, and a collection of Feinstein’s essays and other selected writing, Pls. Reply (Ugly Duckling Press, NY) was published in 2019.



24 Panels, 11x8.5 inches each

Mixed media on corrugated cardboard

Rainbows by Rochelle Feinstein

Creatures by Ulrike Müller